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ALIAS EYE: In Focus |
| Cover |
Release |
Style |
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2007 | Art Rock |
| Label | ||
| Quixote Records | ||
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Website |
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Contact |
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| info@aliaseye.com | ||
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Playing Time |
Cat. N° |
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| 50:49 | LC 03166 | |
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Review by |
Rating |
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| Christoph | 8/10 | |
| nederlands | Review | |
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A
man cannot have it all in his lifetime. With this thought I
comforted myself, each time I listened to Alias Eye’s
previous records (“Field of Names” and “A Different Point Of You”).
Their music couldn’t touch me, even how grandiose they sounded. Yet
from the very beginning this German band held an ace in their hands:
excellent British vocalist Philip Griffiths (son of Martin Griffiths
of legendary Beggar’s Opera). No annoying intonation here due
to a heavy Teutonic accent. “In Focus”, their ‘difficult’ third
album (not counting their debut EP), finally seems the breakthrough
I was waiting for. Since “In Focus” succeeds in captivating me at
last – thank God. The addition of new guitarist Matthias Wurm plays
an important role in this. He is responsible for the sharper ehm…
focus in the compositions. His arrival could well be as crucial for
the band’s future as John Mitchell’s entry in Arena’s “The
Visitor”. In his hands “In Focus” becomes an album that sounds more
solid and heavier than its predecessors. Moreover, Wurm (who
recorded the album together with Lemke) seems to have a positive
influence upon the other band members. Benedek’s polished drumming
is finally interesting; the beautiful bass lines by Frank Fischer
are remarkable as well. Keyboard player Vytas Lemke seems to be
given little space at first hearing due to Wurm’s dominance, but
nothing is less true. His classy piano work and Fender Rhodes loops
contribute undeniably to the band’s signature sound. So, yes, there
still is hope for these previously written-off Germans. |
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Musicians |
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Philip
Griffiths / vocals, didgeridoo |
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| Tracklist | ||
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1. I'm Your Lie (4:37) |
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| Discography | ||
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Beyond The Mirror (EP,
2000) |
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