|
|
|
UNIVERS ZERO: Live |
| Cover |
Release |
Style |
![]() |
2006 | RIO/Chamber Rock |
| Label | ||
| Cuneiform Records | ||
| Website | ||
| www.univers-zero.com | ||
| Contact | ||
| universzero@tiscali.nl | ||
| Playing Time | Cat. N° | |
| 66:37 | Rune 220 | |
| Review by | Rating | |
| Christoph | 9/10 | |
| nederlands | Review | |
|
Last year Belgian RIO band Present released the fantastic live record “A Great Inhumane Adventure” on the adventurous American Cuneiform label. Now it’s their compatriots and stalemates of Univers Zero’s turn. Coincidence? Anyhow, “Live” is UZ’s very first live album in more than thirty years! Since its inception in 1974 a mainly French speaking ensemble, it nowadays consists of diverse Flemish musicians who are related to the scene of Contemporary and New Music. Apparently, drummer ‘extraordinaire’ Daniel Denis has waited until the time was right to go live. It shows how scrupulously Denis, the central character in the UZ story, watches over the band’s integrity. In the same vein Robert Fripp takes care of his King Crimson. In fact, there are more parallels to draw between KC and UZ. They both belong to the innovative elite who cherish the progressive ideology to the letter. They both combine musical complexity with instrumental experiments.
To this day, Univers Zero remains one of the most challenging
rock ensembles. The influences drawn from 20th century
classical (especially expressionistic) music are kept intact live.
‘If Stravinsky had a rock band, it would sound like this’,
someone once described UZ. On stage, the obsessive rhythms
come to life better than ever before. Univers Zero is by
definition a live band. Just listen to “Méandres” and “Falling Rain
Dance” and put these boiling registrations next to the polite studio
versions on “Implosion” (2004). For anyone who isn’t yet into this
unique music, “Live” is the ideal starting point. For the long-time
fan, it is at last the eagerly awaited concert registration that
sheds new light on these very refined compositions and the
improvisational talents of these fine musicians. The excellent
transparent recordings were made in June last year in Belgium’s
Schaerbeek and France’s Les Tritonales. |
||
|
Musicians |
||
|
Michel Berckmans : oboe, English horn, bassoon, melodica
Kurt Budé :
clarinet, bass clarinet, tenor saxophone |
||
| Tracklist | ||
|
1. Xenantaya (12:53) |
||
| Discography | ||
|
1313 (1977) |
||
|
Website in order to promote progressive rock to a broader audience in Flanders but also in the entire world. No part from this website may be used in any other publication whether in print or on the world wide web without the editor's consent - all material is exclusive to Prog-Nose and copyright protected. |