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LWE: LWE |
| Cover |
Release |
Style |
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2006 | Art Rock |
| Label | ||
| ProgRock Records | ||
| Website | ||
| www.franklucas.net | ||
| Contact | ||
| - | ||
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Playing Time |
Cat. N° |
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| approx. 58 min | PRCD020 | |
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Review by |
Rating |
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| Christoph | 8/10 | |
| nederlands | Review | |
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If this American trio (keys, drums and bass) had called itself ELW, the unmistakeable influence of prog giant ELP would have been too obvious. So it became LWE, which stands for three very fine musicians: Frank Lucas, Chuck White and Steve Edsey. What makes this album such a joy to listen to, is its stylistic versatility, without endangering the cohesion of the whole. Beautiful figures of speech from the gulden book of prog are scattered, but jazz and bluegrass are adopted easily as well. And what is important anyway: the technique is always there to assist the melody. You could consider LWE the more accessible twin brother of Parallel Mind.
A
song like “Liberty” may sound like a patriotic sermon at first, yet
it is this apparent naivety that gives way to the record’s undoubted
charm. Admittedly, the music isn’t completely freed from kitchen
clichés (the obligate soloing, of course), but that is more than
compensated by the very fine, catchy playing. The latter is
particularly accounted for in “A Note to Jordan”: it is prime
composer Frank Lucas’s salute to his discoverer and training master,
Jordan Rudess. So, yes, there are enough inversed rhythms and fast
keyboard play on this cheerful album to keep our demanding teeth
happy. |
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Musicians |
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Frank Lucas – keyboards Chuck White – drums and percussion Steve Edsey – bass with Edger Gabriel – violin on track 3 |
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| Tracklist | ||
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