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Good progressive rock without lead guitar is by no means an easy
accomplishment, but the Swedish guys of Violent Silence have without
any doubt succeeded in this matter. Nevertheless, adding some
guitars in the future would not be such a bad idea. The band has
been founded by drummer Johan Hedman and keyboard player Hannes
Ljunghall back in 1999, in 2003 they released their debut album on
the Record Heaven label. The response was not that overwhelming, but
this could change with the album ‘Kinetic’. This release has plenty
of complex arrangements, varied with melodic parts, the technical
abilities of the musicians is obvious, especially the drummer has
made an extraordinary delivery, in this sense you could compare it
with their fellowmen of Anglagard.
The electronic and ambient sounding Morning Star will perhaps give
you a wrong impression, although the first reference point to UK can
already be found in this track. But the first notes of the title
track show immediately the complexity and the aggressive play, the
link to King Crimson can be easily made, without guitars naturally.
From a vocal point of view as well as in the symphonic parts the
seventies touch of super group UK is very present. But keyboards
have the biggest contribution, but without a too strong emphasis on
the solos. The strength of their music lies mainly in the complexity
of the arrangements, the virtuosity of the drummer is also one of
the key factors. ‘Sky Burial’ seems to be a point of rest on the
album, an atmospheric spacey track with excellent synthesizers, both
keyboard players are creating an entire unique sound, that has not
many in common with neo prog. The short up-tempo ‘Subzero’ sounds
very melodic and could have reached the charts in the seventies. The
longest track ‘Quiet Stalker’ contains almost everything atmospheric
art rock could offer nowadays, a perfect mix between melody and
complexity. The singer has a very pleasant voice, comparable with
his fellow singers of Progress Records (Liquid Scarlet, Magic Pie,
Brother Ape).
In a nutshell, this is once again a very surprising and high
standard release from Sweden, we are getting used to it little by
little. Surely recommended for everybody who is not too much into
guitars.
Progressive rock with balls!
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