|
|
|
THE ENID: Touch Me |
| Cover |
Release |
Style |
![]() |
2005-03-29 (1979) | symphonic rock |
| Label | ||
| Inner Sanctum | ||
| Website | ||
| www.theenid.com | ||
| Contact | ||
| rjg.webpages@lodgerecording.co.uk | ||
| Playing Time | Cat. N° | |
| 64:55 | ENID003CD | |
| Review by | Rating | |
| Christoph | 9/10 | |
| nederlands | Review | |
|
The English symphonic rock orchestra The Enid have always stubbornly pursuit their own way. Leader Robert John Godfrey makes sure that the spirit of his brainchild is not to be touched. Meanwhile the output has grown demonstratively. And there is a public for it, considering the band’s real cult following. The early phase of The Enid (1974-1980) is their most interesting one. Since 2001, Inner Sanctum Records is finally re-releasing these wonderful albums. Recently, they reissued the legendary 1979 recording of “Touch Me”. I could finally break up my search on the internet. This hard-to-find gem comes today with a whole new artwork, according to the wishes of the band. And it’s a fine work of art indeed. “Touch Me” consists largely of the very classically inspired “Charades” suite. “Humouresque” immediately puts all instruments in fine interaction with each other. This triumphant beginning contrasts beautifully with the respectful “Cortege” and the elegiac, piano leading title track that feature some emotionally moving cor anglais and oboe. The suite closes in the same vein as it began with the overwhelming “Gallavant”, so the charades’ happy character is triumphing once more. Another joyful piece is “Albion Fair”, although in the first part you could swear there’s a UFO landing. Yet in part two the music corresponds more with the pleasure suggesting title. A grand finale puts here an end to all festivities, by means of organ, brass sounding keys and percussion. A live version of the whole piece is added to this reissue. As another bonus, the sentimental “Joined By The Heart” (in fact an extended version of “Albion Fair” part one) touches the heart in a new age vein since only keyboards are used. It really fits the theme of the whole album, though it is an over-long track that finally cannot be saved from boredom. Still this is an essential Enid record. Prog will never come as symphonic as this band. A magazine once described their music as a blend of Pink Floyd and the Berlin Philharmonic! Indeed, when you first listen to The Enid, they could fool you that there’s a real orchestra playing. |
||
|
Musicians |
||
|
Robert John Godfrey: keyboards |
||
| Tracklist | ||
|
1. Charades: |
||
| Discography | ||
|
Fall Of Hyperion (1974) |
||
|
Website in order to promote progressive rock to a broader audience in Flanders but also in the entire world. No part from this website may be used in any other publication whether in print or on the world wide web without the editor's consent - all material is exclusive to Prog-Nose and copyright protected. |