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Cover |
Musicians |
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Marco van der Velde: guitars, vocals
Sander Wessels: guitar
Andy Haandrikman: bass
Eduard Dresscher: keyboards
Alwin Schnoing: drums |
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Release |
Label |
Cat. N° |
Playing Time |
Rating |
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2004 |
Ebony Tears/Suburban |
ET003 |
50’12’’ |
9/10 |
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Website |
Contact |
Style |
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www.rockfeinstein.com |
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Progressive Rock |
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Choice Of The Month
June 2004 |
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Review by |
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Vera "Gothica" |
The two previous
albums of The Wounded ‘The Art Of Grief’ (2000) and ‘Monument’
(2002) were already not to disdain but what the Dutch band offers us
on ‘Atlantic’ deserves worldwide recognition. That explains my
choice of the month June. In a different line-up, only
singer/guitarist Marco van der Velde and bass player Andy
Haandrikman remained, they started with the recordings of their
third album ‘Atlantic’ in April 2003. After almost a year of intense
work in Frankys Recording Kitchen, The Wounded released a mature and
fantastic album that makes you instantly search for the repeat
button after the first time listening.
They describe their music themselves as a mixture of the experiments
of early Pink Floyd, the atmosphere of Anathema, Marillion, The
Cure, Fields Of The Nephilim and more recently Sigur Ros and
Placebo. Above all The Wounded has an own sound that evolves and is
perfected album after album.
When we scout ‘Atlantic’ track to track, the length of some of the
songs draws immediately our attention. Three of them last easily for
seven, eight and ten minutes and are indeed musical expeditions
through a world of fragility, vulnerability and traumas. For when
one thing is the centre of their lyrics, it is an everlasting
melancholy. The music is the perfect help to get you in that mood.
Listening to ‘Atlantic’ is burrow in open wounds and languishing
lick them as a compensation for so much grief.
That begins with ‘Hollow World’ that, when I heard it for the first
time, made me buy this album. A hankering voice, a wall of guitars
and a smooth guitar melody reign this composition which has also a
catchy chorus. The slogan ‘Anathema meets Katatonia’ in the press
makes sense. For after hearing ‘Atlantic’ I suddenly got the need to
play ‘Viva Emptiness’ of Katatonia again. And you know enough then
for this was my album of the year in 2003. In ’18 Carat Dust’ we dig
even a little deeper in emotions. A semblance of The Cure and
Marco’s voice reminds me here of D.E. Edwards of 16 Horsepower. With
Katatonia they’ve got in common their strong and mostly compact
songs that are vocal-based and the low-tuned guitars bringing in
some power. As from the fifth track we arrive at the epic tracks.
‘Northern Lights’ opens with mundane drums, a slightly rocking
guitar and vocals reminiscent to John Watts of Fischer Z this time.
And now my apologies to Marco for always comparing him with others,
but let me make myself clear that the copy factor on this album is
0% and that The Wounded has an own sound! Lots of strings behind him
in this song, so it became a slow epic track.
After a short, spatial prelude which sets the tone, the band dares
to cover the classic Nirwana track ‘Smells Like Teen Spirit’ and
damned, it is bloody well. With shivering guitars, clear vocals and
a slower tempo than the original. ‘We are darker’ starts very
melodic with hovering guitar work. This ode to the darkness and
blackened pessimism sounds almost light to make it relativistic. For
it’s all about conquering your inner demons. The song has a break
halfway with spoken fragments, heavy keys and fluting birds. Cracker
of ‘Atlantic’ is the ten minutes long title-track. Here the
experimental Pink Floyd influences come to the surface. The
distorted voice is gloomy nice. Perfect intonation and working
towards a climax make this track a breath-taking adventure. This
talent cannot pass unnoticed! On the 26th of June they are
supporting Anathema in De Lantaarn in Hellendoorn (NL).
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Tracklist |
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Hollow World (5’55’’)
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18. Carat Dust (4’15’’)
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Running on empty (4’17’’)
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Day of Joy (3’49’’)
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Northern Lights (7’29’’)
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Prelude (1’42’’)
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Smells like teen spirit (4’09’’)
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We are darker (8’36’’)
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Atlantic (10’01’’)
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