Cover

Musicians

Finland (6) : Haikara / Overhead / Scarlet Thread / Aardvark / Groovector / Whobodies

Norway (1) : Orchard

Sweden (3) : Simon Says / Sinkadus / Grand Stand

Italy (13) : Moongarden / Il Castello di Atlante / Submarine Silence / Museo Rosenbach / Greenwall / Revelation / Mad Crayon / Leviathan / Malibran / Sofia Baccini / Cantina Sociale / Germinale / Randone & Tempore

UK (3) : Magenta / Elegant Simplicity / Qadesh

USA (2) : Metaphor / Clearlight

France (1) : Cafeïne

Switzerland (1) : Thonk

Release

Label

Cat. N°

Playing Time

Rating

2003

Musea Records

FGBG 4463.AR

CD 1:82’38”

CD 2:78’47”

CD 3:76’41”

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Website

Contact

Style

Colossus

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Progressive rock

Review by

John 'BoBo' Bollenberg

The Finnish prog quarterly Colossus does it’s fair share to protect and promote the heritage of Finnish culture. “Kalevala” is probably the country’s most important epic made of old Finnish ballads and lyrical songs which inspired Tolkien and Sibelius alike. To make sure “Kalevala” can live it’s own life in the 21^st century, Colossus cut the entire “Kalevala” epic into thirty parts and asked as many bands to deliver their musical view of these poems. All of the bands had to agree only to use vintage instruments from the seventies in order to get as close to the feel of the story as possible. In the end almost four hours of brandnew symphonic rock have been delivered often taking the bands outisde of their own creative territory sometimes giving birth to their best composition ever !

With thirty bands on offer it is not my intention to dissect every single second on offer here but I most certainly have to mention the opening track as created by Finnish band Haikara. Eespecially the sound of the drums is magnificent and I advise everyone to listen to this track with headphones. It certainly is an unforgettable experience with a major role reserved for the cello ! This by the way, is the creation of the world, and boy what a power must have been involved ! By using the limited range of the authentic seventies instrumentation of course you get pure symphonic rock yet recorded in a fashion that was unheard of during the seventies. So you get the feel of the heydays of prog yet with the technical advantages of today. Sweden’s Simon Says fully explores the possibilities as given by Colossus and decides to sing in Swedish which extra underlines the folky feel of the subject. This track also includes some stunning Hammond organ as well as superb synthwork. No doubt Sinkadus delivers one of it’s very best compositions ever incorporating powerful sections and intimate folky climates backed by seas of mellotron and flute.

Pitty the contribution by Moongarden sounds a little overmodulated as especially in the vocal section there is a slight ressemblance to the band White Buffalo delivering a lot of originality. One of my current favourites is also present here. It concerns Magenta whose leadsinger Christina once again comes ever so close to the feel and charm of the legendary Annie Haslam whilst Rob Reed proves to be one of the most underrated composers of the current prog revival. For sure another highlight on this impressive 3CD set. The first disc ends with what is probably the biggest Genesis clone of them all. Cyrille Verdeaux leads his band Clearlight towards an atmosphere which is 200% Genesis including vocals which hold the middle between Gabriel and Collins. A perfect ending to an otherwise entertaining and diverse album.

Flute plays a very important role in the driving track by the Norwegian band Orchard and immediately puts the necessary energy back into this project. The contribution by Greenwall is a rather complex piece containing various atmospheres. Amongst others it contains some beautiful orchestral sections but I have to admit that I’m not very partial to the female singer’s voice which is more something for the San Remo festival. With the band Revelation it’s like listening to early Marillion with all attention going towards the Italian Fish, Pierfransesco Drago. Mad Crayon delivers kind of a south American flavour by introducing a lot of flute into their composition. It’s a nice and joyful track which forms a nice contrast to the more dramatic delivery of Museo Rosenbach who delivers the typical Italian school. Also Italian yet more contemporary is Leviathan whose singer Paolo Antinori reaches rather high notes here. It’s really a feast for Italian bands on this second disc as Malibran is also on the cards. Their ‘Strani colori’ sounds a lot like the material on the first Camel album with Jerry Litrico’s guitar getting rather close to the intimacy of Andy Latimer. Following right behind all of these Italian prog icons, when you listen to the instrumental track offered by Elegant Simplicity one would immediately say they are Italian too. However this band hails from England and maybe the dash of jazz towards the end slightly gives it away. Nice use of mellotron by the way and again a wonderful ending to yet another superb disc.

The final disc starts with a daring experiment by young British progsters Qadesh. They deliver by far the longest vocal track containing tons of lyrics and weird changes with certain passages reminding me of seventies band Khan featuring Steve Hillage. Probably the strongest track on this 3CD set comes from Grand Stand and if this song is a taster of what to expect on their second album then no doubt it’s going to be a winner. The guitar contains a fair amount of blues elements which makes it ever so original.  Based around Hammond organ and piano, the Swiss entry by Thonk also is a very promissing result sounding like a cross between The Nice and Atomic Rooster with soft passages and loud interventions alternating throughout. In it’s footsteps follows yet another highlight made in Finland. This time the band is Groovector who already released two full albums on the Italian Mellow label. ‘Tuletta’ is a wonderful composition if not the best they have ever written ! Great to have such high quality by Finnish bands on this pure Finnish concept. The final chapter has been composed by French band Cafeine whom with ‘Way is open’ kind of mingle symphonic rock with fusion resulting in a true masterpiece full of emotion. In fact singer Cyril Grimaud’s input kind of swims between Placebo and Ken’s Novel adding an extra touch to the otherwise magical music.

Thirty different bands. Thirty different kinds of emotions. Thirty poems from the Kalevala epic. It’s a lot to digest but once you get your teeth into this project you really enjoy it. Of course there are a couple of mediocre tracks on display but let’s be honest and say that surely 80% what’s on offer here is an absolute must for lovers of the seventies feel of prog. Some bands really shine and deliver material which sounds better here than on their proper album(s). A wonderful idea from the people at Colossus HQ and a big thumbs up for all the bands involved. Colossus is already planning another extravaganza for which six different bands will each deliver a 20’ epic. More of that later after we have digested Kalevala !