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James LaBrie: vocals
Henning Pauly: Electric and Acoustic Guitars, Bass, Piano, B3,
Synthesizer, Warr Guitar, Banjo, Hand Percussion, Loop Programming,
Orchestration.
Eddie Marvin: Drums
Guests:
Nik Guadagnoli: Additional Guitars, Bass, Chapman Stick
Shawn Gordon: Keyboard
Steve Katsikas: Saxophone |
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Frameshift is a new project with James LaBrie, brought to life by
and with Henning Pauly, but later more about him. Let’s start with
burying some prejudices. Just forget all what you think and feel
about James Labrie, good or bad, and listen to this record without
any prejudice, as if it concerns a completely new band.
On the site of Frameshift, you can find three goals that they wanted
to achieve with this album. First of all, “produce an album
featuring James LaBrie in ways that no one has heard him before”.
And this certainly worked out fine. James, finally freed of the wall
of sound of Dream Theater, gives the best performance I’ve ever
heard from him. Sometimes it’s even a bit exaggerated in the other
direction, because the music is on some tracks a bit too far in the
background. And there certainly is a lot of Labrie around, sometimes
a whole LaBrie choir, as he’s doing the backings as well.
The second goal to achieve: “Combine the elements of progressive
rock, film scoring and very modern production”. And again, a goal
more than achieved. There are some progmetal tracks, but only a few.
The rest are ballads, songs with hit potential, more progressive
songs with a lot of symphonic elements,... I called the style of
this album, prog(metal), but it certainly has a big emphasis on the
prog, with the metal only in a few songs.
And finally the third goal: “Use the work of Richard Dawkins (one of
today's most influential neo-Darwinist writers) as a concept that
connects all the pieces on the album”. Indeed, this is a very
interesting concept. You can read all about it, and even comments on
the different songs on Frameshift’s website. (http://frameshift.progrockrecords.com/)
Not only Labrie did some fine work on this album, but the greatest
contribution is from multi-instrumentalist Henning Pauly. You may
have never heard of him, but you can also read about him in my
review on the album from his band Chain.("Reconstruct"
). He’s really awesome. He’s doing a great job on every instrument,
and especially the interaction between the instruments is fabulous.
In some tracks, the keyboards, drums and guitars are playing
rhythmic sequences that form a melody when you hear them together.
A
few highlights:
The longest track “Message From The Mountain” contains a lot of
symphonic elements. Part of the song is more progmetal, but the rest
is as if a whole symphonic orchestra is playing. (every credit to
Henning Pauly).
“Your Eyes”, a rather poppy semi-ballad, with beautiful vocals
accompanied by acoustic rhythm guitar and some subtle piano.
“La Mer”, a ballad, with a quiet and emotional Labrie, as I’ve never
heard him before. Some wonderful piano playing by Henning.
“Nice Guys Finnish First” is a very groovy track, with some splendid
vocal harmonies that could have come straight from the Yes album
“90125”.
Even the heaviest track, “Arms Races”, contains a quiet break in the
middle piece. In fact, every track has a surprising twist.
“Origins And Miracles”, a quiet bluesy ballad, accompanied by a
sensitive, clean guitar sound. And I have to mention it once more, a
great LaBrie.
“Walking Through Genetic Space”: I never thought I would ever hear
this, a lot of Labries singing together in a capella, but here it
is, and it’s great.
A total of 15 tracks, none of which I dislike.
As you can read in the liner notes of the CD, Henning and LaBrie are
thanking one another and speaking about the great time they had in
the studio. This reflects very well in their music and sound and I
have to say, I would to like to add a liner note to say how much I
enjoyed it as a listener. I enjoyed his MullMuzzler project, but
this album contains stronger songs and even better musicians. It
certainly is a lot more progressive. I hope this story about
genetics produces a lot of descendants. |