SIMON SAYS: Paradise square

SIMON SAYS: Paradise Square

Musicians:

Matias Jarlhed : percussion

Jonas Hallberg : guitars, backing vocals

Daniel Fäldt : vocals, sitar

Stefan Renström : bass, keyboards, vocals

 
Released : 2002
Label: Galileo records
Catalogue number : GR007
Total playing time : 63’26”
Website :
www.galileo-records.com
Contact :
info@galileo-records.com
Tracklist:
And by the water (4’45”) / Paradise square (13’42”) / Striking out a single note for love (11’08”) / Fly in a bottle (5’48”) / Darkfall (2’35”) / White glove (15’26”) / Aftermath (10’02”)

Every now and then an unknown artist or band steps out of the obscurity and delivers a truly magnificent album. It happened with Mangala Vallis, it happened with Grand Stand, it happened with the Watch and this time it’s time for Simon Says. Having released their debut album “Ceinwen” several years ago (it was released in 1995 on the Bishop Garde Records label) our Swedish friends surely have delivered their masterpiece by means of the follow-up “Paradis square”. Opener ‘And by the water’ certainly holds strong Genesis references which continue throughout the titletrack as well. The Mellotron parts in conjunction with nice piano really delivers an incredibly powerful result. Here and there some elements from the household of Cross or Galleon pop up yet the result of Simon Says is much more symphonic, more ‘vintage’ prog. The final part of the titletrack even contains some experimental passages I would associate with bands such as White Willow or Valinor’s Tree. Breathtaking !

Dark, slow guitarsounds form the perfect counterpoint for the melodic synths during the intro for ‘Striking out a single note for love’. Here for the first time it becomes obvious that “Paradise square” is a concept album as various atmospheres and sounds enter this song. To me ‘Fly in a bottle’ is Simon Says’ very own ‘Private investigations’ which hopefully says enough about the inclusion of classical guitar here. Simon Says takes a trip to India when sitar introduces ‘Darkfall’. A good balance between acoustic and keyboards occupies the first part of the lengthy ‘White glove’ leading towards “Wind and wuthering” era Genesis. ‘Aftermath’ not only wraps up the story but kind of delivers a musical endresult as well once again delving deep into the rich colours of the keyboards in order to deliver yet another unique statement containing a slight hint of Hapy the Man. Surely Simon Says has taken a BIG step forward with this “Paradise square” leaving the humble beginnings of “Ceinwen” far behind. It not only puts the band in the picture it also establishes the Galileo label as a label of quality where each release deserves a thorough examination.

Reviewed by : John ‘Bo Bo’ Bollenberg

 
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