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LANDMARQ: Infinity Parade |
| Cover |
Release |
Style |
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2002-07-06 (1993-SI) | progressive rock |
| Label | ||
| Cyclops | ||
| Website | ||
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www.landmarq.net |
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| Contact | ||
| Playing Time | Cat. N° | |
| 59:54 | CYCL 117 | |
| Review by | Rating | |
| John 'BoBo' Bollenberg | ||
| nederlands | Review | |
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Originally released in ’93 “Infinity
parade” starts with a track named after the band’s first release
‘Solitary witness’. Another true classic in the true meaning of the word
the song starts with the sound of Scottish pipers which fits in nicely with
the strong melody as written and conceived by Pendragon bassplayer Peter
Gee’s brother Steve Gee. Again produced by Arena’s Clive Nolan and
Threshold’s Karl Groom and recorded at Thin Ice Studios, next to
“Solitary witness” the album “Infinity parade” also contains such
classics like ‘Gaia’s waltz’ and ‘Ta Jiang’ which can still be
found in the band’s repertoire today. ‘Gaia’s waltz’ is ideal for
the vocal talents of both Wilson and Hitchings as it gets close to the feel
of a musical. Just like ‘Terracota army’, also ‘Ta’jiang’ is
written and conceived by keyboardplayer Steve Leigh illustrating his
fondness for the orient. With it’s 16’32” ‘Ta’jiang’ remains to
this day the longest track Landmarq has ever recorded. For my ears the album
also contains one of the weirdest tracks the band has ever recorded in the
form of the rhythmic ‘The more you seek, the more you lose’ which sounds
like a Queen outtake with an added hornsection. The bonustrack here concerns ‘Borrowed mind’ which puts a lot of flanger on Uwe’s guitar but nevertheless remains a rather ‘tame’ composition not in the least because of the rather predictable keboard section. An album which doesn’t hold the same impact like “Solitary witness” one year earlier. |
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Musicians |
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Uwe D'Rose : guitar |
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| Tracklist | ||
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Solitary witness (6’52”) |
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