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Cover
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Musicians
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Toine
vd Meyden: Vocals, Guitars, Piano, Sitar, Pump Organ
Maarten van Iersel: Lead Guitars, Mandolin
Roland van Heesch: Drums, Percussion
Emiel Dingemans: Bass, Backing Vocals
Edwin vd Brand: Keyboards, Piano, Organ
Guest appearance:
Sharon den Adel: Vocals on track 2 and 12
Fay Lovsky: Theremin on track 6 and Singing Saw on track 12
Lana Lane: Voices on track 9
Marc van Daal: Uillean Pipes on track 4 and 5
Stephen van Haestregt: Backing Vocals, Percussion
Sander van Berkel: Cello
Carolijn van der Sanden: Alt Violin
Laura van der Stoep: 1st Violin
Jasper van Rosmalen: 2nd Violin
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Release
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Label
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Cat.
N°:
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Playing Time
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Rating
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November 2002
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Bee
& Bee Records / Distribee
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BBAE2003
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54’05”
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7,5/10
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Website
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Contact
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Style
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http://www.aemen.nl
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Mainstream Prog
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Review by Danny "Camil" Focke
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After their remarkable
debut album “The Day The Angels Cried”, Aemen have found their way back to
the studio RS29 of Oscar Holleman. The new album “Fooly Dressed” has been
co-produced by Stephen van Haestregt. (After Forever, Dreadlock Pussy).
Aemen is a dubious case.
This has nothing to do with the quality of their music, because that’s
beyond any doubt. The quality is superb. The only doubt concerns the style of
their music. Is this progressive rock?
And the answer is yes and no.
Yes, because Radiohead is also considered as a new progressive band. I’m not
saying that Aemen is a Radiohead clone, because they have a sound of their
own, but to give a reference for their sound, I think Radiohead comes the
closest. And also a “yes” because they have some progressive elements.
Their sound is completely filled and sometimes proggy, without building a wall
of sound.
No, because their songs don’t contain enough breaks and complex structures
to be considered as real, pure progressive rock. But let’s forget about the
style, because this discussion will never end between progfans, and let’s
concentrate on the music. Whatever name you call it, is not important, as this
music sounds really good. It’s a pleasant break between the heavier and more
complex CD’s we normally review.
A few tracks of this album should get some
airplay and should be able to obtain a place in the charts.
The choice of song for a single isn’t that easy. “Sanctuary Times” has
become the first single, but a lot of other songs have the same potential.
Especially the first three tracks of the CD could get them somewhere. The
first track “Another Way”, that reminds the most of Radiohead, could
already be a perfect single. It’s a quiet number that sounds as it has been
sung by Tom Yorke himself. The guitar solo has a beautiful, complete sound but
it’s a pity it only repeats the vocal line.
”Time” is sung by Toine and Sharon den Adel from Within Temptation, a duet
with a lot of emotion. The guitar solos are better and more original then in
the first track. This must become the next single.
The current single “Sanctuary Times” has a catchy, rhythmic intro, that
keeps coming back to give an original identity to the song. The chorus gets a
powerful support by the Hammond Organ.
The rest of the tracks is less mainstream and will probably better please the
progfans. They also need a little bit more time to get to know them. The
different extra instruments bring some extra originality to the different
tracks. “Awakening” is a short song (with Uillean Pipes) that also serves
as intro for the next song “Ever Followed A Butterfly’s Erratic
Flight?”.
”Havelock” starts quietly with piano and vocals. Gradually the Theremin of
Fay Lovsky comes completing the sound. (A Theremin is an instrument with 2
antennas. You play it without touching it. If you near the vertical antenna
with your hand, the pitch changes and if you get closer to the horizontal
antenna the volume changes. Their regional colleagues, The Gathering, are also
using this instrument.). “Havelock” is a slow and melancholic song. The
melancholy is even more accentuated by the Theremin.
”Orange-Red” refers probably to the fine artwork of the album. And I am
only holding the promotional copy. There’s also a limited edition in a box
with 6 artful postcards.
For “Noble Man”, they use some effect on Toine’s voice that gives him
the sound of the vocalist of Eels. The spoken voice is by Lana Lane. It’s a
pity that if you’re able to get a name as Lana Lane on your CD, you only ask
her to speak some words.
”Down”, that lasts for 7 minutes and is well supported by some violins, is
certainly the most symphonic song of the album. They carry on with this style
in “Waltz” with the help of a singing saw, played by Fay, the vocals of
Sharon, some rhythm changes and some splendid piano and guitar solos.
I only gave 7,5 points to this album because it’s no real progressive rock
album. But don’t let this deceive you. Maybe it’s a new chance to get a
“prog” band in the charts, after we’ve got Within Temptation. The big
advantage to this album is that you can play it without any headphones,
because this CD is also “ear friendly” for the rest of the family. Go in
peace to their site and listen to their samples, Aemen.
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Tracklist
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Another
Way (4’00”)
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Time
(3’59”)
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Sanctuary
Times (4’46”)
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Awakening
(0’27”)
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Ever
Followed A Butterfly’s Erratic Flight? (5’37”)
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Havelock
(3’38”)
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The
World (3’55”)
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Orange-red
(5’00”)
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Noble
Man (4’01”)
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Down
(6’58”)
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How
Are You Today? (0’45”)
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Waltz
(4’54”)
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Before
My Eyes (4’11”)
-
Sorry!
(1’33”)
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