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Released : 2000
Label : The Laser’s Edge
Catalogue number : LE1033
Total playing time : 53’56"
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Tracklist:
May-fly / The comprachicos of the mind / In the factory / The doorman
/ Mars / Through and through
Musicians:
Bill Pohl - guitars, guitar synthesizer, bass pedals, vocals
John Livingston - drums
Matt Hembree - bass and background vocals
Kurt Rongey - keyboards and vocals
Website:
http://www.theundergroundrr.com/
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When keyboard player Kurt Rongey released his Book In Hand album way
back in 1991, I do remember being very impressed with the way he programmed his
drum machine. That same feeling occured once again the moment I heard Solid
Earth by guitarist Bill Pohl a year later, though here real drums were
played by John Livingston. If only both artists would take into consideration
the few weak points on their respective releases then I was convinced that their
follow-up would be superb. That's what I wrote down in 1992 ! Instead of the
individual releases, both Rongey and Pohl have decided to combine their talents
and together with bass player Matt Hembree and drummer John Livingston they have
now settled themselves down as Underground Railroad
whose debut album Through And Through has
just reached our ears.
Opening track "May-fly" will certainly vibrate as being rather
close to Echolyn due to the strong vocal input. Then again the build up of
"The Comprachicos Of The Mind" sound like the melting of both ELP and
Happy the Man into one new musical idea. Especially the bombastic elements and
the vocals which come close to Greg Lake will of course remind people of ELP
whilst the technical aspect in this song certainly is of the same league as the
glorious Happy the Man. "In The Factory" contains dark, atonal
atmospheres and unpredictable changes. Maybe "The Doorman" is
Underground Railroad's very own "The Doorway" whilst Pohl comes very
close to the best Steve Hackett with even the voice getting into the Genesis
footsteps.
The highlight certainly has to be the 20' long titletrack. Bathing in a
repetitive introduction containing some of the best Allan Holdsworth licks,
Rongey delivers one soundscape after the other yet the endresult is a bit too
long, too monotonous to keep us interested throughout. There are some nice finds
on Through And Through yet this band has to do better if they want to
really shine during the upcoming NEARfest 2001. Maybe they should take a
slightly different, more sparkling and rhythmic direction?
Reviewed by: John 'Bo Bo' Bollenberg
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