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Released : 2000
Label : self-released
Catalogue number : TKCD001
Total playing time : 62’56"
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Tracklist:
Mute (16’01") / Time (7’15") / The return of the
ultragravy (11’) / Integrity (9’10") / T.A.N.U.S. (19’30")
Musicians:
Paul Beecham - bass, backing vocals
Wolfgang Kindl - keyboards, backing vocals
Phil Mercy - guitars, backing vocals
Simon Boys - vocals
Mark Robotham - drums
Website :
www.thieveskitchen.co.uk
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When Grey Lady Down decided to call it a day, drummer Mark Robotham got the
idea to create a new band which would deliver much more complex music, something
no other British band had done until now. "It was all neo-progressive
[that] you could hear in Britain', says Mark, 'so I started looking for the
right musicians in order to get as far away from that neo-progressive idea as
possible." Enter guitarist Phil Mercy, who had already released his solo
album Fear Of Fantastic Flight on the Italian Mellow label, and
together with some extra members of the band Stuff and the already mentioned
Mark Robotham, the band was almost complete. After almost a year, the first
album Head is finally with us, an album
with a lot of attention for individual elements within the group concept.
Five rather long compositions are to be found on this debut, songs which have
their roots in the swamp of Gentle Giant, VDGG, Happy the Man, yet with a strong
contemporary feel in the rhythm section. Strong contributions from keyboard
player Wolfgang Kindl who knows how to include the necessary dramatics by means
of his playing. Just listen to the speed of his playing and the wonderful
strings during the intro for "Time." Next to electrifying guitar
riffs, "The Return Of The Ultragravy" contains some nice mellotron
parts whilst the weird chords are very much in true Gentle Giant vein. As is the
case with Gary Chandler, I also hear a lot of Level 42 singer Mark King in Simon
Boys' voice, which means "Integrity" sort of becomes a cross between
Jadis and Level 42. The absolute highlight of this album can be found at the
very end of this disc by means of "T.A.N.U.S.," a song where I hear a
lot of Happy the Man influences, even if the song has more of a rock approach
than the often jazzy sounds of HTM. Swirling guitar solos melt together with
great Hammond organ playing the scales over and over again. At one particular
point, the guitar switches into fusion with some Vai and Satriani influences.
The song ends with a playful musical box, a lullaby that should take us into a
dreamworld.
Head contains the right amount of material to keep the brain in that
little "head" of yours working late. Just the kind of thing we've
always wanted!
Reviewed by : John "Bobo" Bollenberg
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