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Released : 2000
Label : DeJaVu
Catalogue number :
DV-GRCD-001
Total playing time : 5246"
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Tracklist:
The final frontier (231") / Aliens of the sea (622") /
Pawels dream (613") / Forests of the deep (542") /
The sea dragons (623") / The stars, like sand (758") /
Grace under pressure (702") / In the dreamtime (403")
/ Nautilus (7)
Musicians:
Gordon Reid : all instruments
Nick Magnus : vast improvements to the drums and percussion
Clive Osborn : guitars on tracks 4, 8 and 9
Website:
www.gordonreid.co.uk
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Lovers of keyboards and cosmic sidesteps will be thrilled to learn that the
debut of Gordon Reid, Aliens,
might just be their favourite cup of tea. In fact the album is the soundtrack of
the film Aliens Of The Sea, a film about the wonderful world of life
under he sea (the film has been released on video and DVD). By using Nick Magnus
as producer everything sounds very crisp, clear and interesting, mainly because
this album is like the extension of Magnus' own work. His knowledge is also
positive in the percussive department. A song like "Aliens Of The Sea"
has some of a dreamy Pink Floyd mainly due to the wonderful guitar and the
perfect timing.
In '78 Reid was a member of the band Mirage and if we go for that name then
obviously music-wise Reid must come close to the melodic intensity of Camel.
After Mirage, Reid went on to create the band D้ja Vu with lyricist Ian Oakley,
the man who is currently webmaster for both the Flower Kings and Transatlantic
websites. During "Forest Of The Deep" you feel like a fish in the
water, lovely swimming amidst the coral-reefs just before Clive Osborn comes to
life as a true Neptune by means of his guitar playing which settles between Andy
Latimer (Camel) and Gary Chandler (Jadis). Reid and Osborn could already be
heard on the sampler Rites Of The Ancient Sampler - The Mellotron Album.
Although this album has long been sold out, you can still find their
collaboration "Julia" on Gordon Reid's album Painting Imperfect
Pictures. But let's concentrate once again on Aliens where the
arrangements are in the same league as those of Vangelis. In "The Sea
Dragons" you both hear the Vangelis from his Chariots Of Fire
period and the piano which made Elton John's "Song For Guy" immortal.
Sometimes you can also see Gordon Reid's music as a more experimental version of
The Enid and that's mainly because of his sensitive texture (and also the fact
that Nick Magnus once was a member of The Enid?). This instrumental album
perfectly fits the underwater images yet as a "stand alone" you can
certainly enjoy this wonderful album, which can be ordered through the artist
himself (see website info).
Reviewed by: John 'Bobo' Bollenberg
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