|
Cover |
Musicians |
 |
Gayle Ellett : electric 7-string &
6-string guitars, keyboards, taped effects, percussion
Mike Henderson : electric and acoustic 6-string & 12-string guitars,
effects, percussion
Chuck Oken Jr. : drums, synthesizer programming, sequencing,
electronic percussion
Henry J. Osborne : electric 5-string bass, keyboards, percussion |
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Release |
Label |
Cat. N° |
Playing Time |
Rating |
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- |
Cuneiform
Records |
Rune 128 |
68:04 |
- |
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Website |
Contact |
Style |
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www.djamkaret.com |
arjen@arjenlucassen.com |
progressive rock |
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Review by |
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John 'BoBo' Bollenberg |
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Whilst
they don’t beat around the bush stating they all very much like
Ozric Tentacles, our friends Djam Karet have created a sound of
their own, a sound which can truly be called unique! These four
Americans deliver superb instrumental music which can be put under
the banner “early Floyd meets complex King Crimson” (and they lived
happy ever after and had many babies, one of which they called Djam
Karet …).
Suspension And Displacement and Burning The Hard City are two
different CDs, yet they complement each other. The first is calmer,
sketching wide planes and disconsolate landscapes. The band stand
behind Peter Gabriel’s saying in “Across The Wire”: "I speak in
pictures, not in words." There is a "worst case scenario" atmosphere
present all over the album, especially by means of the minimalistic
effect of dark sounds in the long epics. Burning The Hard City on
the other hand is like an antipode of the first. It’s like day
against night. The entire album is more rhythmic and melodic than
the first and leans much more towards jazz improvisations.
Osbourne’s repetitive funky bass playing forms the strong backbone
for “At The Mountains Of Madness” where guitar improvisation is THE
word! In “Feast Of Ashes” the guitar leans towards the better parts
of Jadis' career, whilst it’s once again the bass stealng the show
in “Topanga Safari." [One of this editor's favourites - ed.] There
are also more sound colourings, such as in “Grooming The Psychosis."
The album closes with the title track “Burning The Hard City” which
has Chuck Oken Jr. hit those electronic drums so hard it almost
wakes your neighbours! Sure there are some Floyd influences as well
here, before the guitar turns towards great blues. But then the
acoustic drums set the pace for an intriguing finale bursting out of
its seams with great finds and adrenaline driven riffs.
For those of you who have been longing for something completely new
then Djam Karet might be the solution! Djam Karet: a name to write
on all of those Post-It memo notes and stick them all over your room
… and your mind!
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Tracklist |
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At The Mountains Of
Madness (9:17)
Province 19 : The
Visage Of War (8:13)
Feast Of Ashes
(10:46)
Grooming The
Psychosis (11:57)
Topanga Safari
(5:57)
Ten Days To The
Sand (11:07)
Burning The Hard
City (12:07) |
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