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Released : 1999
Label
: Magnetic Oblivion
Catalogue
number : 2-MERM2-99
Total
playing time : 71’11”
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Tracklist:
Jacob’s
ladder (6’46”) / Intrigue in the house of panorama (4’19”) /
Barbarians at the gate (4’37”) / Hope against hope (6’56”) /
Last stand (6’31”) / Lament (4’55”) / Leviathan and Behemoth
(9’52”) / State of grace (8’17”) / Bonustrack : Tarkus
(18’48”)
Musicians:
Ed Macan - vibraphone, marimba, soprano recorder, Steinway grand
piano, Hammond organ, ARP string ensamble, micro Moog
Andy Durham - bass (3-8)
Nate Perry - bass (1,2)
Matt McClimon - drums and percussion
Website:
http://www.hermeticscience.com
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The not so evident use of marimba and vibraphone form the backbone of the Hermetic
Science music. Based around the person of Ed Macan, this music goes
further than "only" the progressive idiom. Thanks to these
instruments which normally are the highlights in the world of jazz, you now
get the ideal pollination. Prophesies
opens surprisingly with a cover of Rush's "Jacob's Ladder," whilst
it sets the tone by means of the funky "Intrigue In The House Of
Panorama." The main part of this original album is the lengthy 41 minute
"Prophecies" which is built out of six seperate parts. Again jazz
elements start to creep in, yet next to the already mentioned marimba and
vibraphone also the "vintage" keyboards such as ARP string ensemble,
Hammond organ and Steinway grand piano underline the fragile music, whilst the
rhythm section seems to have everything under control so as not to come across
as being cacaphonic at all.
As an encore, Macan throws yet another interesting concept in the ring by
means of a unique version of "Tarkus," well-known for the bombastic
original composed by ELP yet here all the varnish has been stripped off in
order to deliver the goods solely on grand piano. Macan is also the author of
the book Rocking The Classics : English Progressive Rock And The
Counterculture. For more information visit http://www.hermeticscience.com
Certainly a very original and wayward travel through the wondrous world of
prog which I don't see being copied too easily. A nice hand of applause also
for the great Andy Durham on fuzzy bass and Matt McClimon on drums.
Reviewed by : John 'Bobo' Bollenberg
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